The shunting line (Umweg) present in the placed Allegorie as image to be chore, a labyrinth where the idea of the loss of the orientation in finding an exit already is present. According to author, in the benjaminiana conception of the shunting line (Umweg) the being alone if shows for eclipse. In the labyrinth of the great city the Allegorie as Aletheia is capable to transmit a truth in a game of lusco-fusco, in it show-hides In the contemplation the truth fulgura while in the conscience the search of knowing it is Form (Eidos). In the contemplation the truth exceeds the mere speech (Phase). Benjamim, in the image dialectic, denounces the empty speech of the world-wide politics (Welpolitik) that it only has as objective of persuasion it enters the ones that do not know, to pass as to more than know what the ones that they know.
The represented civilizatrio legacy in the picture of Paul Klee, where one accumulated of rubbles is the result of the catastrophe of the civilization where if it accumulates ruins on ruins, can be interpreted as an image it criticizes where it to the shunting line of the reason in the direction to generate sensible for the world is possible. According to philosopher, for Benjamim the ruins are the attributes of: courage, confidence, firmness and mood, nominated to the loosers for the iluminista idea. Benjamim wants one another direction for the ruins. That one of the interpretation of the picture of Paul Klee, ahead of the ruins of the civilization, where historian and collector if bend to save fragmentos for the possibility to find in them the dispersed value. The angel who to breach with the established one, to awake deceased and to recoup what he remained unfurnished. But the storm that comes of the paradise (progress) hinders it.