Gabriel Garcia Marquez

Hers, clearly, is a cynical way to show an aristocratic disdain towards which one does; which, obvious, constitutes more refined of the vanities. The deposit taker of that one secret of Ruano, Alpaca Threshold, is a prolific author and a magnificent columnista as well. Its case demonstrates better than no other than the articulismo is a style question. Innovator of the language and creator of expressions and literary turns, in the Valley wake, Threshold predominates the form on the bottom. As much he is thus, that he has been able to say of him that takes to forty years writing a same and unique article, modulating it and adapting it in the time, and dividing it with meticulous certainty to soon deposit the corresponding daily dose in the page of its newspaper. One would treat, then, of a permanent and unfinished article. Without putting to me too important, I will say that this expressive, hybrid sort and to mestizo, has reached its good apogee recently. Nowadays there is writer of long breath and no dense literary work that does not practice it.

Some, even, in those brief journalistic commentaries surpass in excellence to their ampler texts and repeatedly awarded. For me it is the case of Juan Jose Mills or Manuel Rivas, magnificent book writers but even better contributors. That same appreciation, what they want that it says to them, I make until a some Nobel prize extensive, like Gabriel Garcia Marquez. Others, however, as Camilo Jose Watches over, in their journalistic incursions do not have been around their brilliant literary work. These, as they see, are subjective opinions and tremendously daring, in addition. It is what indeed it allows the journalistic sort that we commented: thanks to their brevity, to the light style in which it is sustained and to his fleeting character, similar unwarranted assertions can be formulated that in a test, however, would demand pages and pages of erudite explanations in which to be based.